Why and how Lenormand Reading is
different
from modern methods of Tarot
Reading
If you are
familiar with Tarot and are wanting to approach Lenormand for the first time,
then this might be a helpful place to start, to understand why and how reading
Lenormand is so different. If you approach Lenormand with a cartomantic
mindset, you will arrive prepared.
CARTOMANCY
FLOURISHED BEFORE ESOTERIC TAROT
Cartomancy
is the craft of divining from cards. While it is a word often applied to
playing card reading these days, it is a useful term for anyone who is taking
up Lenormand reading for the first time.
Lenormand cards are read cartomantically, which is an older method of
reading cards, which I’m going to outline here.
Before Tarot went esoteric, before
Lenormand cards were even born, people were laying out playing cards and
reading them by juxtaposition with each other. It is from this era that we inherit the
cartomantic style of reading that is used in Lenormand.
The image below is Etteilla’s spread
called le Coup de Douze (12 card Spread – and yes, it does have two
extra cards for ‘the surprise.’) This is taken from the very first published
book which outlined practical cartomantic reading with a pack of 32 playing
cards, The Only True Way to Read the
Cards, published in 1773.
Etteilla
read the cards from right to left (most modern cartomancers read left to right today
and that is still the case with Lenormand cards) and used reversed cards (which Lenormand reading does not). We
see that the carte blanche (the blank card that acted as the Significator) is
centrally placed here. The cards either side of it, which touch the
Significator are King Hearts and 10 Diamonds, signifying a Blond Man who has an
abundance of money, respectively. The
line is read by pairing card 1 with card 2, card 2 with
card 3 etc. until the line is read. This
method tells the story as cards blend together. Many years later this same Coup de Douze spread was taken up by the Golden Dawn and
translated into the fiendishly complex Opening
of the Key spread, which takes several hours to lay and read.
Here is the case in point: cartomancy
is simple, pragmatic and non esoteric.
It doesn’t depend on a knowledge of astrology, it doesn’t require you to
know which phase the moon is in, you don’t need to know numerology. This is one of the reasons why Lenormand is
non-esoteric in nature and why we read in the ways that we do now: because the
reading style dates from before the
esotericizing of tarot in the mid-late 18th century, which was begun
by Court de Gebelin and Comte de Mellet, and to which Etteilla himself
contributed, though not before recording his own cartomantic methods.
The older style of cartomantic reading is one that
is nowadays only used by playing card readers and cartomancers who use small
oracles like Lenormand. It comes from a
different mindset and, without taking this on board, it’s easy to try and
read Lenormand like Tarot, which won’t
help you at all. The
art of reading a line, combining the cards as you go, is where this kind of
reading began.
In
the next blog of this sequence, we’ll look at the specifics of how Lenormand
and Tarot are different and how this affects the style in which we read.
For those who like to read with traditional, historic decks, I thoroughly recommend the cards produced by Lauren Forestell: these facsimile decks are printed on good linen cardstock, with clear images. http://gameofhopelenormand.bigcartel.com/
The One and Only Petit Etteilla Course
by Caitlín Matthews
Etteilla
(1738-1791) wrote the first self-instruction manual on cartomancy in 1770,
enabling readers to divine with a piquet deck of 32 playing cards. Written before the impact of esoteric tarot,
this influential book revolutionized divination. Its unique methods of reading have remained
largely unexplored by readers who have been deterred from studying them because
his work was written in 18th century French or not available in
English. Now for the first time, his
book can speak directly as you learn to read Petit Etteilla for yourself.
On the One and Only Petit Etteilla Course (so
called in echo of Etteilla’s own style of writing!) you will create your own
Petit Etteilla Deck, learning how to apply his 18th century meanings
in a more helpful modern way. The
complete text of his book is translated and explained clearly so that you can
read for yourself how his methods work.
Throughout
his book, Etteilla gave many spreads outlining the case history of one woman
for whom he reads sequentially. He invites you to lay out the cards for her,
just as he has done, so that you can learn his methods quicker. The original
illustrations from his 18th book are included so that you can follow
him.
The
text is arranged over several lessons, so that you understand the source
material for yourself and how it is applied in practice. This is supplemented by my explanations, examples
of spreads and case histories so that you begin to learn the methods by daily
practice. I also provide smaller spreads
that can be practically used on a daily basis.
The
course enables you to learn cartomantic combination from Etteilla’s keyword
meanings. This precise method of reading is very different from the interpretations
of Tarot reading but, because all the meanings you will ever need are already
written upon your cards, you can immediately read and combine them without the
need of memorization. By building up your reading from simple pairing and short
line spreads, you will gain confidence and soon be reading Petit Etteilla for
yourself and others.
Features
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- The first complete
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annotated
- Side by side
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- Learn to read
using Etteilla’s meanings and spreads
- Practise your
skills using case histories
- Learn cartomantic
combinations
- Gain confidence in
reading for clients
- Create your own
Petit Etteilla Deck
- Illustrations of
Etteilla’s Original Spreads, including The Wheel of Fortune, the Spread of
Twelve, Spread of Fifteen, Etteilla’s Spread, The Dovetail Spread,
Horoscope Spread.
- New, shorter
spreads for everyday divination
Available from http://www.cartomancy.net/en/courses/petit-etteilla